As a photographer, my work exists at the intersection of fine art and editorial storytelling. Across both my professional work, and my personal art projects, viewers will find evocative images which meld modern techniques and historical aesthetics. Photography captures a singular and fleeting moment of reflected light, which ceases to exist beyond that image. What once only existed in the physical realm, now resides in the digital plane where I am free to manipulate and manifest my new reality.
I’m drawn to moments that reveal something deeper beneath the surface—quiet details, fleeting light, and the subtle emotion in human presence, or in its absence. We all yearn to remember something from our past that speaks to us, reminds us of our journey, and the journeys that were shared with us. These themes converge in my practice, reflecting a vision shaped by observation, empathy, and a fascination with decay, distance, and vulnerability.
I investigate the remnants of what once was and the fleeting moments of what is—often through overlooked and mundane environments, decaying structures, and intimate glimpses of human expression. Within these works I use colors and textures reminiscent of the film era, particularly those of the mid 20th century. I find inspiration in that period which color photography came to be excepted as an art form. It was during that period that I became aware of the world, and so builds the base of my visual identity. Whether I’m crafting a visual narrative for publication or building a personal body of work, I approach each image to explore identity, memory, and the passage of time.